TUTORIAL教程
1. Welcome, this is Terry Ewell. Study #18 focusses on mastery of two things that are difficult to do on the bassoon: downward slurs and balancing registers. On the bassoon it is easier to emphasize the lower note when slurring a large interval. However, the downward slurs should be performed without an accent on the lower note. In fact Weissenborn even indicates that the upper note should be accented leaving the lower note with a graceful resolution. In this study the accents are made with increased air during the upper notes. Then you need to diminuendo to the lower notes.
1。大家好，维斯伯恩练习18集合了巴松管比较难掌握的两个问题：下行的连音和平衡进行。当遇到带连线的大音程时，巴松管很容易强调较低的音符。但是，演奏下行的连音不应该强调较低的音符。事实上，维斯伯恩甚至指出，应该强调较高的音，而对较低音进行优雅处理。在这课练习中，重音都用于较高音增加气流时。然后，你需要渐弱到较低的音符。
2. The alternate F# fingerings in line 7 are to help motion to Bb3. I mentioned the use of the little finger F# key in the last study and I hope that you headed my instructions!
2。第7行升F的替代指法帮助移动到Bb3。在上期学习中，我提到过小指升F键的使用方法，希望你能掌握。
3. The second to last line in the study will need special attention. These large leaps include confusing finger patterns. I suggest you adopt these two methods of practice here and where needed elsewhere in the study.
1) Rhythms that break pairings.
3。练习的第二到最后一行需要特别注意。这些大的飞跃，包括混乱的指法模式。我建议你采用以下两种方法，在这课练习的其他地方也可以用得到。
1）打破配对节奏。
4. Practice with both rhythms, eight notes followed by sixteenth notes and sixteenths notes followed by eighth notes.
2) metric displacement
4。同时练习节奏，八分音符跟着十六分音符，十六分音符跟着八分音符。
2）度量置换
REFLECTION沉思
5. My sheep hear My voice, and I know them, and they follow Me. (NKJV, John 10:27)
5. 我的羊听我的声音，我也认识他们，他们也跟着我。(和合本, 约翰福音 10:27)
6. These are words that Jesus spoke about his followers, His sheep. We saw in the last video that Stravinsky’s change of life was due in part to an answer to prayer. He heard God’s voice and followed after Him.
6。这些都是耶稣对他的追随者、他的羊群们所说的话。我们在上一期视频里看到，导致斯特拉文斯基变化的部分原因是祷告者的答案。他听到上帝的声音，跟着他。
7. So how does a person know whether it is the voice of God speaking or the voice of evil forces? In the next few reflections I provide a summary of an article by Harry Leesment that has been helpful to me and others.
7。那么，一个人如何知道声音是来自于神还是魔鬼？在接下来的几个思考中，我提供了一篇哈里.利斯蒙特的文章总结，它一直帮助我和其他人。
1. Tone of voice. God’s Spirit is gentle and imploring. In contrast evil forces are accusatory and belittling. These other voices are harsh.
1。说话的语气。神的灵是温柔而恳切的。与此相反的邪恶势力则充满指责和贬低。这些其他的声音是刺耳的。
2. Specific vs. vague. The Spirit of God points to specific actions you should take to correct your relationship with God and others. The other voices tell you that everything is wrong and there is really nothing you can do to fix it. God directs you to a way out, the others state that there is no way to free yourself.
2。具体与模糊的。上帝的灵指向你应该完善与上帝及他人关系的具体行动。而其他的声音告诉你，一切都是错的，你没有任何办法能解决它。上帝指引你一个出路，而不会让你没有办法获得自由。
3. Encouragement vs. discouragement. God's message encourages us to rely on His power not ours. The other voices attack people, discouraging them.
3。鼓励与沮丧。神的讯息鼓励我们要依靠他的力量而不是我们自己的。其他的声音攻击人，使他们沮丧。
CREDITS 感谢
Harry Leesment, The Evidence (November/December 1985): 33.
