TUTORIAL教程
Welcome, this is Terry Ewell.
1. This is another study where breathing rapidly is necessary in order to avoid delaying entrances in the music. Again I encourage you to breathe by dropping the jaw and not raising the head. I have discussed this in prior videos in this series.
1，欢迎来到维斯博恩视频教学22，我是唐英伟博士。
这是另一课提到快速呼吸是很必要的练习，它可以避免在音乐的开始时延误。我再次建议你呼吸时放低下巴，并且不要抬起头部。我在这个系列之前的视频中已经讨论过。
2. Focus on clean articulations for each note. You will need to flick articulated A3, Bb3, B3, and C4 notes. Please refer to Studies 3 and 4 on flicking if you need to review flicking technique.
2，注意每一个音符的发音都很干净。轻弹音符A3，Bb3，B3和C4。如果需要的话，详情请参阅有关“轻弹技巧”的教学视频3和4。
3. Beat displacement is a great tool for practicing this study and the metronome is the best way to apply it. You probably haven’t thought about what a great tool the metronome can be for this study.
3，节拍移位是练习这课练习一个很好的工具，节拍器是应用的最佳方式。你可能没有想过，对这课练习来说，节拍器是一个多么伟大的工具。
4. Let’s focus on the difficult passage in the second to last line. Several measures of the music are given in the top line. The first short segment coincides with the beat as written. In the second segment the beat is shifted one eighth note to the right. In the third segment the beat is shifted two eighth notes to the right.
4，让我们专注于第二到最后一行的难度片段。在首行给出了一些小节。第一个短的乐段包括了所写的节拍。第二乐段，节拍从一个八分音符移到右侧。第三乐段，节拍由两个八分音符向右移动。
5. Practice the short segments with the metronome:
5，跟着节拍器练习这些短乐段：
6. Even though the finger combinations remain the same, it is amazing how different the passage feels with the beat shifted. This is a great workout for your brain!
6，尽管手指的组合不变，随着节拍的转换，还是会产生不同的感觉。这是对大脑很好的锻炼！
7. After you have mastered short segments, work on longer segments. In this way you can successfully perform the whole study.
7，在我们掌握了这些短的乐段之后，可以进行长乐段的练习。通过这种方法可以成功地完成整篇练习。
REFLECTION 沉思
8. How any musician could ever play with a metronome, passes my humble understanding. It is not only an inartistic, but a downright anti-artistic instrument.
— Constantin von Sternberg, Ethics and aesthetics of piano playing
http://en.wikiquote.org/wiki/Metronome
8，经我卑微的理解，任何音乐家都不应该使用节拍器练习。它不仅是非艺术性的，而且是一个彻头彻尾的反艺术的仪器。-- 康斯坦丁·冯·斯登堡
9. You can visit this website and read of many evils attributed to the metronome. Perhaps inflation, world wars, and famine could be fixed by abolishing that evil machine!
9，你可以访问这个网站，读读这些怪罪节拍器的恶言恶语。也许如果废除了这“邪恶”的机器，通货膨胀，世界战争和饥荒就都能处理了。
10. Well, indeed, it is disagreeable to hear a performance that provides no metrical freedom, one that is rhythmically shackled. However, my experience working with students is that it is far more likely for rhythms and tempos to be terribly askew than too metrical.
10嗯，的确，听到这种无韵律自由的、节奏束缚的演奏是让人不愉快的。不过，以我和学生一起工作的经验，节奏和速度的错误可能远远比太格律要可怕的多。
11. The metronome is an instrument to be used to develop rhythmic precision. When that is mastered then you have a reference point from which to depart. It is a wonderful practice tool that builds the foundation for artistry.
11，节拍器是用于开发节奏精度的仪器。一旦掌握了，你就必须离开这个参考点。它是一个构建艺术性基础的很好的工具。
12. I find the metronome indispensable for three reasons:
1) It is an aid for accurate tempos and rhythms.
2) It is a means of assessment. For instance, day by day you can chart your progress at performing a certain passage faster and faster.
3) It is a great tool to help with beat displacement.
12我觉得节拍器不可缺少的原因有三个：
1）它会帮助精确速度和节奏。
2）它是评估的一种手段。例如，一天天地，你可以通过掌握的的时间越来越快而看到自己的进步。
3）它是一个帮助节拍划分的好工具。
13. Keep your metronome handy while you practice and reach for it often!