Transcript

TUTORIAL教程

Welcome this is Terry Ewell. With the exception of the unusual key signature, many aspects of Study #46 simply review techniques addressed before in our series. I will just address a few particulars here.

欢迎来到唐英伟巴松课堂。由于这首练习曲调性的特殊性,在我们这个教学系列之前已经有很多针对不同方面技巧的教学参考文献了。我将在这里谈几个细节。

Rushing the quarter notes is the most common error in Weissenborn study #46. Continuing the 16th note subdivisions in your mind is vital for rhythmic accuracy in this study.

在这首练习曲中,四分音符抢节奏是非常常见的错误。你要在心中牢记细分节奏至16分音符,这样才能使这首练习曲的节奏性准确,这是至关重要的。

 

 

Line 1

The sixteenth note subdivisions remind me of the subdivisions needed for the successful performance of Ravel’s Bolero. If you are interested in practicing this excerpt, please see BDP# 95-96:

16分音符的细分节奏使我想起了要想成功地演奏拉威尔的《波莱罗舞曲》,这也是必不可少的。如果你有兴趣练习这个选段,请参考BDP#95-96。

http://www.2reed.net/bdp/home.html#bdp95

We have seen some of these trills before in the study, but let me give them to you again. Here is the trill in line 2, measure 4.

我们在这首练习曲之前已经见到过这些装饰音颤音了,但我还要再给你展示一次。这是第二行第4小节的颤音。

Line 2 trill

Here are the trills in line 3.

 这是第三行的颤音。

Line 3 trills

Of course I use the alternate Gb3 fingering for approaching and coming from Bb3. This has been discussed in a number of the earlier videos in the series so I won’t mark the alternate fingering in this video. You should be familiar with this by now.

显而易见,当我需要从降G3演奏至降B3或是由降B3演奏至降G3时,我在降G3上使用替换指法。这一点在前面的系列中已经讨论过了,所以我就不在这里标注指法了。现在,你应该对于这个很熟悉了。

F#3

 

REFLECTION沉思

In the prior videos on the Weissenborn studies I have introduced many different tools for practicing bassoon and also concepts for performing music. I hope that you are taking my guidance to heart and diligently applying the practice methods. In this series of videos I have sought to bring you the methods I have found most helpful for my musical development. As musicians we understand the value of daily practice. We know that musical changes often don’t happen quickly, but come about with determined applications of careful practice.

在《维斯伯恩练习曲》系列前面的视频中,我介绍了练习巴松的不同方法,以及音乐表演的概念。我希望你从心里接受我的指导并勤勉地把它们运用到你的练习中。在这个系列的视频中,我试图带给你在我的音乐发展生涯中我认为最有用的方法。作为音乐家,我们都了解每日练习的重要性。我们知道,音乐性的变化通常不会很快地发生,而是通过日复一日仔细的练习而实现的。

Likewise there are also tools available that will help you improve your emotional, physical, and spiritual health. Reading, studying, and memorizing portions of the Bible are great tools. Prayer to and faith in God are also indispensable. In addition, joining a group of other followers of Jesus will help you with your lifelong journey. All of these are tools that you can apply daily or weekly to help your emotional, physical, and spiritual health.

同样,也有一些方式可以帮助你使得你的情绪、身体和精神变的更加健康。阅读、研习和背诵一部分圣经都是很有用的方法。向上帝祷告并信靠祂也是必不可少的。另外,加入一些由信仰耶稣的人组成的群体也会在你人生的旅途中为你提供很多帮助。所有的这些你都可以运用到每天或每周的生活中来提高自己的心态、身体和精神健康。

However, I don’t want to leave you with the impression that changes in life are solely dependent on human efforts. That is not the case! The recognition of God is an acknowledgment that there is a greater power. God can make changes in your life suddenly or slowly. Becoming a follower of Jesus is not simply a self-help journey. It is a step of faith that places you in the hands of the All-mighty God.

然而,我并不想让你产生一种印象,那就是你的生活完全依赖于个人的努力。并不是这样的!承认上帝的存在其实是认识到有一种更加强大的力量。上帝可以突然地或者缓慢地改变你的生活。成为耶稣的信徒不是仅仅简单的自我帮助的旅程。这是关于信靠的一步,将你置于万能的神的手中。

Draw near to God and He will draw near to you. (NKJV, James 4:8)

1.    你们亲近上帝,上帝就会亲近你们。(当代译本,雅各书4:8)

If you are interested in learning more about the first step of faith please see my video on choices.

如果你有兴趣了解更多关于信仰的第一步,请参考我的关于“选择”的视频。

http://www.2reed.net/choice/

PERFORMANCE表演


It’s happened again. The recording I made several months ago is not suitable for presenting here. I apologize for giving you a recording that is not the same sound quality as in the Towson University Recital Hall. Unfortunately at this time at the end of the Spring semester, I don’t have access to the hall. I am very anxious to finish this project so I don’t want to wait more days for the hall to be available.

这种情况又出现了。我几个月前录制的演奏视频现在不适合放在这里了。很抱歉我只能给你提供一个比起在陶森大学音乐厅中录音效果差很多的视频了。因为不凑巧的是,由于现在是学期末,我不能进入那个演奏厅录像了。我非常急于完成维斯伯恩这个项目,所以我不能再等那么多天在音乐厅里录制了。

I have been practicing this study with eighth note divisions on my metronome at the tempo of 168. It is even more effective, however, to keep 16th note subdivisions going. The higher sampling rate ensures greater rhythmic accuracy! Also I can still use a little rubato in the music with the subdivisions.

在练习这首练习曲的时候,我把我的长单音细分至八分音符,并把速度设定为168。但如果能细分至16分音符,那么效果会更好。越细分节奏会越准确。同时,我还可以在细分的时候加上一点润色颤音。