TUTORIAL教程
Welcome, this is Terry Ewell.
大家好，我是唐英伟博士。
1. This is another study in which to practice several techniques we have learned in the earlier lessons.
1。在今天的练习中，我们会用到前面一些课上所学到的技巧。
2. First try to minimize the movement of your jaw when tonguing the arpeggios. The bassoon is much more forgiving of jaw motion than the oboe or clarinet. However, we should still practice efficient techniques of performance. Play the arpeggios “on the wind.” Let’s go into more detail.
2。首先，试着用吐音吹奏琶音时，尽量减少下巴的动作。巴松管比起双簧管或单簧管，下颌的动作更能被大家接受。但是，我们还是应该掌握最精准的演奏技巧。穿透音符去吹奏琶音，让我们来看看更多细节。
Playing “on the wind”: http://www.2reed.net/bdp/home.html#bdp56
3. Every motion of the jaw will change either the pitch or the timbre of the note. I suggest you review the “articulation experiments” I gave in my beginning bassoon lesson number
3。下巴的每一个动作都会改变音高或音质。我建议你重温我的巴松管初级课程3“发音实验”：
English and Chinese: http://www.2reed.net/bdp/home.html#bdp33
Youtube:
English: http://www.youtube.com/v/Zv20zy2O8Mo
Chinese: http://youtu.be/CLKaB9cTCYg
4. For many students the movement of the jaw hinders varied tonguing patterns. Practice Study # 7 with five tonguing patterns, 1-2-3-4-5. Start with “5,” which is legato tonguing. Then progress through the numbers, each shorter and shorter until “1,” which is as short as possible.
4。对许多学生来说，下巴的移动会对不同的吐音模式造成阻碍。用五种吐音模式1-2-3-4-5吹奏练习＃7。从连奏吐音“5”开始。然后每个音越来越短，依次倒退直到“1”，每个音越短越好。
5. Here is number 5.
5。下面是5号。
Example
6. Here is number 4.
6。下面是4号。
Example
7. Here is number 3.
7。接下来是3号。
Example
8. Here is number 2.
8。下面是2号。
Example
9. Here is number 1.
9。最后是1号。
10. Practice in front of a mirror. The goal is to move the embouchure no more than when playing the pattern with a slur.
10。在镜子前练习。目的是只有在吹奏连音时才动下巴。
Example
Of course the embouchure will need to move to adjust for the intonation of each note. However, we are trying to avoid extra movement during the note.
当然，需要移动吹奏口来调整每个音符的音准。但是，我们要在演奏时尽量避免多余的动作。
11. The second item to practice is rapid breathing. The quickest way to breathe is by dropping the jaw. Most bassoonists breathe by raising their heads, which takes longer for a breath. See how rapidly you can breathe in order to avoid a break in the rhythm.
11。需要练习的第二项是快速呼吸。呼吸最快的方法是放下下巴。大多数的巴松管演奏者通过抬高头部呼吸，这需要花更多的时间。为了避免演奏中断，看看你能呼吸得多快。
12. The third item is the use of flick or venting keys. Please see the prior videos for fingerings. When there are two notes in a row that need flicking, you can just hold down the C flick key. For instance, in m. 1 with A3 and C4 hold down the C flick key for both.
12。第三项是利用小键或排气键。指法请参阅之前的视频。当有一排两个音需要轻轻吹奏，你可以按住小键C。例如，在第一小节中，按住小键C可以同时吹奏A3和C4。
Example
13. Also in the first measure of the third line, Bb3 (B flat 3) and C4, hold down the C flick key.
13。另外，在第三行的第一小节，按住小键C，同时吹奏Bb3（降B3）和C4。
REFLECTION沉思
14. And the LORD God commanded the man, saying, “Of every tree of the garden you may freely eat; but of the tree of the knowledge of good and evil you shall not eat, for in the day that you eat of it you shall surely die.” (NKJV, Genesis 2:16-17)
14. 耶和华神吩咐他说，园中各样树上的果子，你可以随意吃。只是分别善恶树上的果子，你不可吃，因为你吃的日子必定死。(和合本, 创世纪 2:16-17)
15. Expectations for performance are high in many aspects of life. Eating the wrong fruit in the Garden of Eden changed the lives of Adam and Eve. Similarly a single wrong note in a beautiful melody damages the whole melody. Study 7 in particular is difficult because every note should be clear and clean. Try to remove the bad notes, leaving only beauty.
15。对生活中很多方面的表演期望值都是很高的。在伊甸园中吃错了水果，改变了亚当和夏娃的一生。同样，一个错误的音符会毁掉整段优美的旋律。特别是练习7的学习是有难度的，因为它要求每一个音符都清楚，干净。试着丢掉那些不好的音符，只留下优美的。