J. S. Bach’s Bible. The discovery of J. S.
Bach’s Bible reveals his devotions to Bible reading and a
faith in God. Devotional at MasterWorks Festival, 2003 by Terry B.
Ewell. BDP #5. www.2reed.net.
<music: Vivaldi E
minor Bassoon Concerto>
1. There were attacks on Johann Sebastian Bach and his legacy. In case you
did not know, Bach is one of the most famous Christian composers,
perhaps, that we have ever had. He lived in the 1700s and wrote many
wonderful works. There was an attack on Bach and his faith and his life
about forty years ago.
2. This attack came from men who were some of the
most reputed in musicology: Friedrich Blume. This man contended that
Bach only wrote religious music because he was employed by the church.
It was not a private matter that he wrote religious music it was rather
a public matter. He wrote because musicians at that time were only
employed by the church. It wasn’t a matter of his own faith
or his own sincere devotion, but rather it was just for money, for his
livelihood.
3. There were many people at the time that were shocked at this contention
and sought to defend Bach. But after all it is hard to defend
someone’s private life, which is something you
don’t see. Obviously, Bach wasn’t around to defend
himself. What goes on when someone is personally praying, in their
prayer closet, and devotions in quiet times is hidden.
4. It seemed that
this would be an issue that would never be answered: that forever there
would be this divide in scholarship that he really wasn’t a
truly sincere Christian. He did it only for his livelihood.
5. This was the case until about 1971. There was a book found that turned
this issue around. This wasn’t a book of letters or
manuscripts; this book was Bach’s actual Bible. Now, this is
not it here. [laughter]. My library card didn’t work to check
out his actual Bible, but this is a copy of it. I want to share a
little bit of it with you here today.
6. Christoph Hauptman wrote an article on finding Bach’s Bible.
It was found in Concordia College in St. Louis, Missouri. This is an
interesting story. We know that when Bach died there was an account of
all of his possessions: his music, his manuscripts, and among that is a
mention of his Bible. That book was lost for many years.
7. It turns out
that it made its way to America in New York. It was sold sometime
around the turn of the century. A German speaking immigrant bought this
book, had it in his possession for many years, and then donated it to
this seminary, Concordia College. It was in its collection for many
years. Christoph Trautmann came upon this in 1971 and had a chance to
examine this book. He was astounded with what was contained in it and
wrote an article about that.
8. In the scholarly community there was a debate about whether Bach wrote
in this Bible. Maybe those who later had it in their possession did
their own markings in it. So, there was another man, Howard Cox, who
put together this book here. He went so far as to have handwriting
analysis, ink analysis, and something called a photon milliprobe
analysis. [audience—wow] Of course!
9. Photons were used to look
at the ink composition. They examined signatures of Bach on his own
manuscripts of music and compared them with those in the Bible. There
were some astounding things that they found out. Yes, with a high
degree of certainty, this indeed was Bach’s Bible. Yes, those
were his notes. Yes, we can draw some very interesting conclusions.
10. Bach purchased this Bible sometime around 1733, towards the end of his
life. What we see in this Bible are his own personal devotions,
comments, and markings for about 10 years or more. It is clear to me
that he was someone who studied the Bible a lot. There are hundreds of
pages that have his markings.
11. How many of you here underline in your Bible? Do you do that? Bach did
too! How many of you use color pens? Alright. Well, Bach used different
colors as well. He also marked notes in the margins. These are things
like you would do. I find that refreshing. J. S. Bach is doing in his
Bible what you and I would do in your Bible.
12. The question comes up which book of the Bible was his favorite? I
don’t know if for certain I have found his favorite, but I
can tell you which book in the Bible, his last years, that he wrote the
most comments upon. If I asked that of you, I am guessing that most of
you might think it was the Psalms, right? I think that is the most
logical one. Jude? [laughter] Well, that is your favorite book, why not
for Bach? [audience member: Obadiah] Obadiah. [laughter]
13. Well, his
favorite book was Ecclesiastes. I find that stunning. If you know the
book of Ecclesiastes it is about Solomon looking back on his life,
looking back on everything you could possibly do in life, and finding
that this is no fulfillment in life except in God. It is a book
examining the summation of your life, looking at purpose, looking at
“what did my life amount to?” I find that
fascinating that this is the book that Bach looked at during the end of
his life.
14. I want you to picture this as I read this summation. Bach had a study
Bible. It was a translation made by Luther, which was then put together
by D. Abraham Calovio. Calovio was the author who furnished the study
guide and preface. I want you to picture this. I have been thinking
about this myself. What would it have been like if I had been able to
sneak into the room where Bach was having his devotions? What would it
have been like when he was reading this particular passage?
15. Consider that it is late at night. Imagine that he has had a long day
at the church. Being a church musician will wear out anybody. He has
had a long day, light has failed, he has a candle beside him, and his
Calovio Bible open. You can look at him with his gray hair, stooped
over reading this book. You can see the worry that has been etched into
his face all of these years. You can recall all of the children that
have died: the grief and the misery. And the financial hardship that he
has been put through.
16. I know that at the end of his life many people
did not appreciate his music. There were critics that said,
“your music is too turgid, outdated, and
old-fashioned.” He continues to write week after week for the
church, plodding on. Think of the heaviness of the day. Then he comes
to this and he is reading in the preface, he starts to read this in
Ecclesiastes:
17. The main point that Solomon speaks about and treats throughout this
book is that there is no greater wisdom on earth under the sun than
doing one’s duty with devotion and with fear of God. Further,
that we should not be fearful if things do not go the way we would
like. But that we be satisfied and have God’s will done in
all matters large and small.
18. In conclusion, that one be satisfied and
content with whatever God provides, following the proverb: as God
ordains, that will be my pleasure. And thus, let us not trouble and
consume ourselves about worry about what the future will or should
bring, but rather remember that God has given me this office and work
that I perform it willingly and with devotion, and that if my efforts
and proposals do not turn out the way I hope, then may God’s
will and power prevail.
19. Can you see Bach reading that? Oh, God, thank you, thank you Lord. You
have given me this office and I can minister to you God. Thank you,
Lord, for the troubles that you have given me, and I can minister
through them. Thank you, God, for the help that you have given me, the
wife you have given me, the children—those that have
survived. Thank you, Lord, that you have given me a duty and I will
perform it dutifully.
20. There are some lessons that I have learned from this as I have been
contemplating Bach and his Bible and his own devotions here. First, we
should serve God and do our duty. He has given to each one of us here a
special duty to do. We should do that.
21. It says in Colossians, “whatever you do in word and in deed,
do all in the name of the Lord Jesus, giving thanks to God the
Father.” We should do everything; and this is what Bach is
doing. You can see this in his private devotions. This is what he
highlighted. This is the insight to truth in that one evening that
refreshed his soul. I want it to refresh your soul as well.
22. Another thing is, seek God in a private place in a secret place. We are
so fortunate that this Bible has been discovered so that now we know
without a doubt that Bach was devoted. Bach had so much to give because
he was filled by the word of God. He studied it and meditated upon it.
He sought to love the Lord with all of his heart, soul, and
mind—he applied himself.
23. The third thing that I have come away with is: don’t give up
the fight. Bach is at the end of his days. He could have said
“I give up. I have worked so hard, Lord, but I
can’t go any further.” That is like running a race
and running it well and then 100 yards short of the finish line just
stopping and laying down.
24. No, Bach ran that race to the end! He was
faithful to the end. I am encouraged. As I get more and more grey
hairs, as my posture stoops, as lines are etched into my face, I know
that I can be faithful to the end in all of this.
25. Let me close with this scripture from Hebrews:
Therefore we also, since we are surrounded by so great a cloud of
witnesses, ...including J. S. Bach… let us lay aside every
weight, and the sin which so easily ensnares us, and let us run with
endurance the race that is set before us. Looking unto Jesus, the
author and finisher of our faith, who for the joy that was set before
Him endured the cross, despising the shame, and has set down at the
right hand of the throne of God.
26. Lord, as we get ready for our quiet times, I want everyone here to be
encouraged, to be faithful to you, God. Lord, just as you met Johann
Sebastian Bach that day when he wrote in his Bible, the day when he
underlined those words, I want you to meet, Lord, with each person in
this festival.
27. Meet with them as they look at their Bibles. Have a
special word for them. We know that your revelation is fresh every
morning. You have a new word for us each day. I ask Lord for that
blessing. Minister to each one here, in the Lord Jesus name, amen.
REFERENCE:
Cox, Howard H., Editor. The Calov Bible of J. S. Bach. Studies in
Musicology, No. 92, George Buelow, Series Editor. Ann Arbor: UMI
Research Press, 1985.
Copyright (c) 2020 by Terry
B. Ewell. All rights reserved.