Fingerings

Respighi, Ottorino. Pines of Rome, opening statement.

Cooper, L. Hugh. To the World's Bassoonists 4/2 (1974[75]): 4. All C5s use Cooper p. 329. For D5s same as Cooper p. 339 but add R. H. E key. In second triplet of second bar on A4 after B4 use Cooper p. 278 but add R. H. F key.

C5:                  D5:
     Eb                   Eb
 x x x | x x x        o o x | o o o
d         E          d         E

C5:

D5:

A4:
    Eb
x x x | o o o F
 a c#

Respighi, Ottorino. Pines of Rome, opening passage. Beasley, Rule. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 63.

C5:                D5:
x o x | x x x      o o x | o o o
 c       E          c       E

C5:

D5:

Respighi, Ottorino. Pines of Rome. Hale, T. Geoffrey. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 68. For C5 Cooper p. 318 but also cover L. H. C hole. For D5 Cooper p. 339.

C5:               D5:
    Eb                 Eb
x o x | x x o F    o o x | o o o
 c     Bb         d

C5:

D5:

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Respighi, Ottorino. Pines of Rome, opening statement.