2reed.net
Ministry to Double Reed Musicians
Accompaniments
for Bassoon
Level 5

Select the
level below (1 = beginning, 6= most demanding):
Levels: 1 | 2 | 3 | 4 | 5 | 6
Bach, J. S., Arr. Sol Schoenbach, Es ist vollbracht (It is
finished), from the
St. John Passion. In Solos for the Bassoon Player
with Piano Accompaniment. New York: G. Schirmer,
Miami: 1964. Accomp. by T. Ewell.
- First portion, MIDI, tempo: 42
| 46
| 50
- First portion, mp3, tempo: 42
| 46
| 50
- Second portion, Alla
breve, with two preparation beats. MIDI, tempo: 42
| 46
| 50
- Second portion, Alla breve, with
two preparation beats. mp3, tempo: 42
| 46
| 50
Bourdeaux, E., Premier Solo de Basson. Paris:
Alphonse Leduc, 1900. Accomp. by Terry B. Ewell.
- MIDI, Tempo: 60 | 70 | 80
- MIDI, earlier files, during extended rests, a note on each
beat is added in the
bass. Tempo 60
| 66
| 72
- mp3, Tempo: 60 | 70 | 80
- Music, IMSLP
David, Fernand, Concertino, Op. 12.
New York: International Music Company, 1956. Accomp. by T. Ewell.
- Section 1, Andante. MIDI, Tempo: 70 | 80
- Section 1, Andante. mp3, Tempo: 70 | 80
- Section 2, Presto Agitato. MIDI, Tempo: 70 | 80 | 90 | 100
- Section 2, Presto Agitato. mp3, Tempo: 70 | 80 | 90 | 100
Donizetti,
Gaetano, Romanza
(Una furtiva lagrima) from L'elisir d'amore. Arr. Sol Schoenbach, Bourree I and II,
from the Third Cello Suite. In Solos for the Bassoon Player
with Piano Accompaniment. New York: G. Schirmer,
Miami: 1964. Accomp. by T. Ewell.
Fasch, Johann Friedrich, Sonata. (amended by
T. Ewell). New York: McGinnis & Marx, 1963.
- 1st mov., continuo with harpsichord and cello. Starts with
4 beats preparation. MIDI tempo (eighth note): 56 | 60
| 66 (tactus)
- 1st mov., continuo with harpsichord and cello. Starts with
4 beats preparation, mp3 tempo (eighth note): 56 | 60
| 66 (tactus)
- 2nd mov., continuo with harpsichord and cello. Starts with
4 beats preparation, MIDI tempo (quarter note): 66 (tactus) | 70 | 76
- 2nd mov., continuo with harpsichord and cello. Starts with
4 beats preparation., mp3 tempo (quarter note): 66 (tactus) | 70 | 76
- 3rd mov., continuo with harpsichord and cello, Starts with
4 beats preparation, MIDI tempo (eighth note): 66 | 70 | 76 | 88 (tactus, 44 quarter note)
- 3rd mov., continuo with harpsichord and cello. Starts with
4 beats preparation, mp3 tempo (eighth note): 66 | 70 | 76 | 88 (tactus, 44 quarter note)
- 4th mov., continuo with harpsichord and cello. Starts with
6 beats preparation, MIDI tempo (eighth note): 92 | 100 | 110 | 120 | 126 | 132 (tactus, 44 dotted quarter
note)
- 4th mov., continuo with harpsichord and cello. Starts with
6 beats preparation, mp3 tempo (eighth note): 92 | 100 | 110 | 120 | 126 | 132 (tactus, 44 dotted quarter
note)
- Music, Popov Edition (Russian), IMSLP
Hurlstone, Sonata in F
Major.
Edition by Emerson. Accomp. by T. Ewell
- 1st mov. new files. These contain preparation measures.:
- Section 1, opening up to ma pui lento. MIDI,
Tempo: 60 | 70 | 80 || mp3, Tempo 60 | 70
| 80
- Section 2, ma
pui lento up to before E. MIDI, Tempo: 50 | 55 | 60 || mp3, Tempo 50 | 55 | 60
- Section 3, pickup to E to G. MIDI, Tempo: 60 | 70 | 80 || mp3, Tempo 60 | 70
| 80
- Section 4, G to H. MIDI, Tempo: 60 | 70 | 80 || mp3, Tempo 60 | 70
| 80
- Section 5, H (ma
pui lento) up to I. MIDI, Tempo: 50 | 55 | 60 || mp3, Tempo 50 | 55 | 60
- Section 6, Animato. MIDI,
Tempo: 70 | 80 | 90 || mp3, Tempo 70 | 80
| 90
- 1st mov. until Animato. This is a rough
reading of the movement. The glissando before the recapitulation is
especially poor. Starts with two beats of F2. mp3,
tempo: 76 | 84
- 1st mov., Animato. Older File. Starts
with beats on G2. mp3, tempo: 88 | 100
- 2nd. mov. Many of the tempo changes are not artically
perfect. In the fugue section low D2s are given on the beat during the
accompaniment rests. mp3, tempo: 60
- 3rd mov. mp3, tempo: 100 | 120
- 4th mov. Introduction. mp3,
tempo: 80
- 4th mov. Vivace. Starts with two F2 beats in the
piano. mp3, tempo: 92 | 108
- 4th mov. Animato
(end). mp3, tempo: 120
Milde, L.,
Tarantella Op. 20. Accomp. by Terry B. Ewell.
Mozart, W. A.,
Bassoon Concerto, K191. 1st Mov. Accomp. by T. Ewell.
- 1st mov. MIDI, Tempo: 103
- 1st mov. mp3, tempo: 103
- 1st mov., mm. 32-97. This enters just before the
solo. MIDI, Tempo: 92
| 96
| 104
| 112
- 1st mov., 1st section, mm. 32-97. This enters just before
the solo. mp3, tempo: 92
| 96
| 104
| 112
- 1st mov., mm. 98-153. MIDI, Tempo: 92
| 96
| 104
| 112
- 1st mov., 2nd section, mm. 98-153. mp3, tempo: 92 | 96 | 104 | 112
- Music, cadenzas, instructional videos
Mozart, W. A., Bassoon Concerto,
K191, Edition Breitkopf, 2nd Mov. Accomp. by T. Ewell.
- Starts two eighth notes before opening. two eights after
cadenza. MIDI, Tempo (eighth notes): 60
| 72 | 76
| 80 | 88
| 92
- Starts two eighth notes before opening. two eights after
cadenza. mp3, tempo (eighth notes) Piano: 60
| 72 | 76
| 80 | 88
| 92
- Starts two eighth notes before opening. two eights after
cadenza. mp3, tempo (eighth notes) Strings: 60
| 72 | 76
| 80 | 88
| 92
- Music, cadenzas, instructional videos
Mozart, W. A., Bassoon Concerto,
K191, 2nd Mov. Accomp. by L. Gardner.
Mozart, W. A.,
Bassoon Concerto, K191. 3rd Mov. Accomp. by T. Ewell.
Osborne, Rhapsody.
- Comments on Performing Osborne’s Rhapsody
- Part
1. (9 min., 2013, BDP #104)
- Part
2. (10 min., 2013, BDP #105)
- Part
3. (12 min., 2013, BDP #106)
Phillips, Burrill, Concert Piece.
Eastman School of Music, 1940. Accomp. by T. Ewell, string version
revised from accomp. below by Scott Pool.
Phillips, Burrill, Concert Piece. Accomp. by Scott Pool
Saint-Säens,
Camille, Romance. New York: Belwin Mills, n. d. Accomp. by T. Ewell
- MIDI, Tempo: 70
| 80
- mp3, Tempo: 70
| 80
Schreck, Gustav, Sonata
(~1887). Leipzig: Friedrck Hofmeister Musikverlag, 1994. Accomp. by T.
Ewell
- 1. Allegro
man non troppo
- Part 1, mm. 1-32, 1 meas. intro.
- MIDI, Tempo: 80 | 90
- mp3, Tempo: 80 | 90
- Part 2, ,
meno mossomm. 33-54
- MIDI, Tempo: 70 | 80
- mp3, Tempo: 70 | 80
- Part 3, mm. 55-116, 1 meas. intro.
- MIDI, Tempo: 80 | 90
- mp3, Tempo: 80 | 90
- Part 4, mm. 116ff
- MIDI, Tempo: 80 | 90
- mp3, Tempo: 80 | 90
- 2. Largo
- Part 1, mm. 1-29, 1 meas. intro.
- MIDI, Tempo: 46 | 50
- mp3, Tempo: 46 | 50
- Part 2, after the cadenza, mm.
33-44, 1 meas. intro.
- MIDI, Tempo: 46 | 50
- mp3, Tempo: 46 | 50
- Part 3, mm.45ff
- MIDI, Tempo: 46 | 50
- mp3, Tempo: 46 | 50
- 3. Allegro
- Part 1, mm. 1-88
- Part 2, mm. 88-142
- Part 3, pui
mosso
- Music, 1st edition, imslp
Spohr, Louis, Adagio.
London: N. Simrock, 1964. Accomp. by T. Ewell.
- Older Version, Recorded late 1990s. This is a real time
reading of the composition.
- MIDI, Tempo: 44
- mp3, Tempo: 44
- Newer Version (2020 Dec. 28), 1 meas. intro.
- MIDI, Tempo: 46
| 50
- mp3, Tempo: 46
| 50
Wolf-Ferrari, Ermanno, Suite-Concertino in Fa,
Opus 16. Accomp. by T. Ewell.
- 1. Notterno
- Part 1, Beginning to Number 3
- MIDI, Tempo: 60
| 70
- mp3, Tempo: 60
| 70
- Part 2, Number 3 to 5
- MIDI, Tempo: 60
| 70
- mp3, Tempo: 60
| 70
- Part 3, Number 5
to 8
- MIDI, Tempo: 60
| 70
- mp3, Tempo: 60
| 70
- Part 4, Number 8
to end
- MIDI, Tempo: 60
| 70
- mp3, Tempo: 60
| 70
- Full movement
- MIDI, Tempo: 60
| 70
- mp3, Tempo: 60
| 70
- 3. Canzone, 1 meas.
intro.
- MIDI, Tempo: 60
| 70
- mp3, Tempo: 60
| 70
- 4. Finale
- Part 1, Beginning
4 meas. before number 24
- MIDI, Tempo: 70
| 80
- mp3, Tempo: 70
| 80
- Part 2, Beginning
4 meas. before number 30
- MIDI, Tempo: 60
- mp3, Tempo: 60
- Part 3, Beginning
4 meas. before number 34
- MIDI, Tempo: 70
| 80
- mp3, Tempo: 70
| 80
- Full movement
Artwork and Graphics by Terry B. Ewell
Copyright 2015-20 by Terry B. Ewell.