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Método: Music of the Americas for Bassoon

Techniques, Etudes, Melodies, and Excerpts from the Americas and Beyond

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Level 2
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20

Lesson Number
(select link)
Country of Melodies Genre of Melodies Techniques or Concepts Excerpts (Various Countries)
1 Various Drones, Long tone, 7-Drive with Dynamics Ravel, Pictures at an Exhibition, Promenade
2 Various Articulation 5-drive, Compound Time Tchaikovsky, Symphony No. 6, opening
3 USA Shaker Music Compound Time and Mixed Meter
Ravel, Pictures at an Exhibition, II; Gershwin, Piano Concerto in F
4 Argentina Practice Methods: Components;
Slow-Fast-Accurate
Tchaikovsky, Romeo and Juliet Overture
5 Guatemala Counting Rests Schumann, Symphony 3; Quiroz, Una escuela de muchachos
6 USA Native American Monotones for Practicing Phrasing Dukas, Sorcerer’s Apprentice
7 Various Advent & Christmas Rhythmic and Melodic Studies in 6/8 Corelli, Weihnachtsmusik: Concerto grosso No. 8; Bach, Weihnachtsoratorium, BWV 248/2 Sinfonia
8 Mexico Practice Method: Rhythms Beethoven, Symphony No. 6, I
9 Venezuela Rubato Drives Villena, 3 Valses venezolanos de concierto, II
10 Mexico Practicing Rubato
with Articulation and Monotones
Respighi, Antiche danze et arie per liuto, Suite No. 2.
11 USA Practice Method: Fragmentation-Concatenation Sousa, Semper Fidelis March
12 Brazil Sixteenth-Note Rhythms with and without Time Signatures Santo e Oliveira, Responses for the Festivals
13 USA Spirituals Syncopation Sousa, "El Capitan" March; Price, The Oak
14 Various 2-5 Articulation Patterns Sousa, Washington Post March
15  Various 3-4-5 Articulation Garcia, Sinfonia Fúnebre
16 Mexico Triplets Ponce, Estampas Nocturnas; Dukas, Sorcerer’s Apprentice
17 Suriname Portamento length (4) given by Weissenborn, Subdivisions of 2 and 3 Strauss, Death and Transfiguration
18  Various Grace Notes, Mixed Meter Haydn, Smphony No. 85, Trio
19 USA Hymns Two Against Three Mahler, Symphony No. 1, I
20 Cuba Varied Articulations 3, 4, and 5 Mozart, Serenade No. 12, III

Copyright 2023-24 by Terry B. Ewell.